By K. David Jackson

Poet, short-story author, feverish inventor--Fernando Pessoa was once probably the most leading edge figures shaping eu modernism. identified for a repertoire of works penned through a number of invented authors--which he termed heteronyms--the Portuguese author gleefully subverted the proposal of what it capacity to be an writer. Adverse Genres in Fernando Pessoa offers an advent to the fiction and the "profusion of selves" that populates the enigmatic author's uniquely imagined oeuvre.

To advisor readers in the course of the eclectic paintings shaped by means of Pessoa's heteronyms, ok. David Jackson advances the assumption of "adverse genres" revealing style clashes to be primary to the author's paradoxical and contradictory corpus. in the course of the invented "coterie of authors," Pessoa inverted the standard relationships among shape and content material, authorship and textual content. In an encouraged, paradoxical, and from time to time absurd blending of cultural referents, Pessoa chosen genres from the ecu culture (Ricardo Reis's Horatian odes, Álvaro de Campos's worship of Walt Whitman, Alberto Caeiro's pastoral and metaphysical verse, and Bernardo Soares's philosophical diary), into which he inserted incongruent modern rules. via growing a number of layers of authorial anomaly Pessoa breathes the energy of modernism into conventional historic genres, extending their expressive diversity.

Through examinations of "A Very unique Dinner," the "Cancioneiro," love letters to Ophelia Queirós, "The experience of the Anarchist Banker," Pessoa's selection of quatrains derived from Portuguese well known verse, the publication of Disquietude, and the main poetic heteronyms, Jackson enters the orbit of the artist who exchanged a regular existence for an international of the imagination.

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Adverse Genres in Fernando Pessoa by K. David Jackson


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